You were born in Berlin. How do you think the city has influenced your work as an artist?
Although I spent 16 years of my life abroad, I feel at home in Berlin. I am convinced that architecture and urban landscape shapes us as individuals as in the idea of Leib (connection between body/senses and mind) described by phenomenologist Merleau-Ponty and I am sure it subsequently affects our interaction with others. My work is deeply influenced by Berlin in particular in how I deal with space and built structures and the resulting social and societal references.
What’s your favorite place in Berlin?
I like those places which give us a different, unusual view of Berlin. The small port in Treptower Park for example, the Tempelhofer Feld or Teufelsberg, with its derelict radar station, telling us about former times.
Tell us about your current exhibition.
The exhibition ‘Chronicle of a Place’ shows part of a huge archive of drawings, texts, material samples, photos and film recordings I collected over the past one and a half years in three different places: Istanbul, Tel Aviv and New York. I followed paths in these cities which are connected to the migration of German people in the last 150 years. However, the work is not primarily about looking back in history; it is more about approaching the city in a situationist kind of way, exploring the structure of the city in present time.
What themes are you concerned with in your work?
The main idea behind this work is dialogue. Starting with the interactions that occur when working in public spaces, affecting people’s perception of their daily routes, then bringing the collected materials into the exhibition space in a distant city and last not least creating space for dialogue through workshops, talks and events. Taking a different perspective and experiencing new ways of thinking is one major point. The aim for dialogue is also the reason I invited the curators Kristina Kramer and Ece Pazarbasi to talk about their perspective on my project, which will take place tonight in the exhibition.
Where do you work?
I work throughout the city, in scientific laboratories, in the middle of nature, in the workshop, in the exhibition space, in my studio, at home or in a cafe. It depends on how the actual project needs to be conceived.
Describe your process.
Working on a project involves considering it from many different angles. In terms of output, this includes many different media such as drawing, sculpture, photo, film, collected materials and measurements, texts, installation, performance.
What are you working on now?
I am working on a participatory project I began last year, in which I ask Berliners for a photo of their horizons. I want to share what people see. These photos give us the opportunity to look at the horizon from a proximity; I think the horizon that is close to us is predestined to be looked at in an abstracted and thus interpretative way. It reveals something about the people who photograph it. I believe the horizon of people in Berlin is different to that of people in Tokyo or New York.
Curators Kristina Kramer and Ece Pazarbaşı will talk about their responses to Chronicle of a Place tonight at 7 pm, followed by music by Jeff Özdemir and friends at 9 pm at die alte feuerwache / Projektraum – Galerie, Marchlewskistraße 6, 10243.
If you are being creative in Berlin and would like to chat about it, contact me.