Tess Motherway is an Irish filmmaker, visual artist & film curator, based in Berlin. She will be demonstrating her first performance piece ‘Things Men Have Said To Me This Year’ on Saturday, 16th September at 6pm at Alexanderplatz.
You’re used to being behind the camera, so you’re really putting yourself out there – in Alexanderplatz on a Saturday evening no less! How do you feel about the upcoming performance?
I’m really nervous about it. I’d definitely describe myself as an introverted extrovert, so this piece is really taking me out of my comfort zone and is definitely a personal challenge. But that’s part of why I’m doing it too. I like pushing myself and embracing things that feel scary. I think doing things that we’re afraid of is really empowering.
What made you do it?
In Ireland, I grew up under a social pressure to laugh off sexist jokes, for fear of being deemed anything from ‘no craic’, to a bitch. For a long time I followed suit, or buried my head in the sand, not having the confidence to oppose it or wanting to have to have ‘those conversations’. But, I realised that by ignoring the problem, wouldn’t make it go away & that by calling out sexist behaviour and engaging and challenging people about the topic simply felt right.
This last year I’ve been reflecting particularly on the culture whereby comments and judgements about women’s bodies pervade not just social & professional spaces, but more intimate situations for women. There still seems to be a pretty prevalent entitlement and freedom to openly judge women’s bodies. I think this behaviour, even today with all our awareness, is still very normalised for women, which is really sad. I devised this piece because I wanted to do something with that feeling – the feeling of disempowerment that comes from being judged or slighted or commented on inappropriately. By handing these comments back – just some that I have personally received this passed year – I’m taking control and hopefully opening up a conversation.
When I came up with the piece, I knew it had to be in a really central, public place. Alexanderplatz is a pretty iconic centre of Berlin and I thought it would be the best spot to reach a mixed demographic – it wouldn’t feel right performing it in a smaller Kiez or a gallery space.
What is your favourite place in Berlin?
I love all the kinos of Berlin. I’m primarily a filmmaker so I’m in kino heaven here: Sputnik Kino, Babylon Kino, b-ware Ladenkino, Colloseum Kino – the list really is endless and I keep discovering new ones. I live in Neukolln which I love too because you’ve got the canal and so many great parks like Hasenheide park and Templehofer Feld – I love how much sky you can take in in Templehof. I feel like I can breathe there. Maybe that’s my favourite place.
You’ve been here since 2016. Is this your first Berlin piece? How have you found being an artist in Berlin?
This is my first Berlin piece. I moved last summer and had a piece in an exhibition last June, but it was realised back home, so this piece is particularly special to me because it’s kind of my Berlin premiere. Being an artist in Berlin is great – you can’t throw a stone without hitting another creative and there’s such a culture of collaboration and experimentation here it kind of feels like anything is possible. I love the DIY, can-do vibe – there’s so many amazing spaces it can feel like the city is just handing you the keys and saying ‘off you go’.
I moved here to be around a larger group of international creative people – I’m from Dublin which is also crawling with loads of amazing creative types, but it’s a small place and after years of living there I wanted to change things up. I have also been looking for a place to learn analogue film development and when I was researching places to go, I found a collective called Labor Berlin based in Wedding which I’m now a part of. Other more practical reasons such as being a much cheaper city to live in with a high standard of living.
What else are you working on?
This year has been pretty productive for me – I completed my first ever artist residency in Switzerland where I realised an experimental short film called ‘8’ in response to the Repeal the Eighth campaign which is fighting for a referendum to legalise abortion in Ireland. I also just finished a new short documentary called ‘Company B’ about Ireland’s only all boy contemporary dance group and I’m currently programming for the next Dublin Doc Fest short documentary film festival which I founded in 2013 back in Dublin. The next few months will see me learning analogue film development and gathering archive and photos for a series of personal, experimental short films.
Does this relate to the rest of your work in any way, or is it completely different?
I haven’t had a clear trajectory with my practice. In fact, when I finished art college, I took a creative hiatus and it’s taken me time to explore, experiment and find my way back to a focused practice again. I never used to put myself in my work before – both literally and in terms of drawing from my own experiences in a deep way. I was always looking outward – which is great – but I guess really putting yourself in your work comes with confidence. For the last two years I’ve really thrown myself – literally – into my work. So in terms of the use of my body, and the performative element, this piece really is a new thing for me. Regarding the content, though, my work has always been anchored in feminism and equality.
Tess Motherway will be beside the fountain, outside Primark, at Alexanderplatz at 6pm on Saturday, 16th September. The performance will be one hour long — check it out!