Last week, Berlin’s Tech Open Air (TOA) festival took over the city. Now in its sixth year, TOA is an interdisciplinary festival that brings together technology, music, art and science.
The festival consisted of a two-day conference at Funkhaus Berlin, a sprawling complex along the banks of the River Spree that used to house East Germany’s central radio station, and over 200 satellite events that happened all over the city over four days. This year’s festival was the biggest yet, with over 200 speakers and 20.000 participants.
The festival, a bit like technology itself, was pervasive, and, with conference talks lasting an average of 15 minutes each, mimicked the hectic effect of switching between multiple tabs in a browser. It also came with some of the frustrations of modern tech – the conference app did not work, and men dressed in black talked about how important and life-changing their work was without a hint of irony. For example, Magnus Olsson, founder of Careem, which is basically Uber for the Middle East, talked about the principles he lived by, why Careem was life-defining for him, and its social impact, when really, all the dude had to say was, “It’s Uber for the Middle East.”
It was all a bit like this:
But there were also tons of interesting talks, and key trends this year seemed to be A.I, VR and Fintech.
My personal highlights included Edda Hamar, Founder and CEO of Undress, talking ethics and sustainability in fashion, Prince Fahd Al Saud, who gave an enlightening perspective on the Millennial Middle East – one that challenged the West’s prejudices and perceptions – and spoke about his aims to support and promote women and feminism, and BBC R&D’s Senior Firestarter (yes, that’s his job title) Ian Forrester, who raised some interesting questions about the future of storytelling while demonstrating the prospects of object-based media. Last but not least, Imagining Coordinator Rebecca Roth, who works at NASA’s Goddard Space Flight Centre, presented some mind-blowing and beautiful images of space. All these talks will be available to view on TOA’s YouTube Channel within the following week.
In addition, I got the chance to try out some VR porn, have a drink at the Amano Grand Central’s Rooftop Bar, hosted by Invest Hong Kong, attend a Mobile Industry party at coworking space Rent 24 in Mitte, as well as an Afterwork Jam at start-up community hub The Factory. All in all, a fun, enlightening and diverse festival.
For more information, visit the TOA Berlin website.
Berlin has often been termed the sex capital of the world, famous for its sexually liberal attitude, vibrant gay scene, sex parties and clubs.
Berlin: 69 Erotic Places does exactly what it says on the cover, dedicating one page of text, coupled with one image, to each ‘erotic’ attraction. The book has the look and feel of a 1970s porn mag, and its attitude is equally outdated. The term ‘erotic’ implies positive sexual arousal and mutual pleasure, but the book is skewered towards straight men.
Much of the content covers the city’s many brothels, strip clubs, and massage parlours, and although the author might find it erotic that “between 10 and 15 girls will fascinate you with their strip dances” at Rush Hour, the women working there might have another point of view. Of the 69 images in the book, 32 sexually objectify women.
The book itself demonstrates this issue. It gives voice to a few women, and these passages are disturbing and decidedly unerotic. For example, 25-year-old prostitute Alexa, who works the street-walking strip along Kurfürstenstraße, says: “The first time was really uncomfortable and I had a horribly bad conscience and felt totally filthy afterwards.” Another woman, Sue, 26, a ‘hobby whore’ who attends gang bang parties, describes how a fellow guest ‘hounded’ her to join her first party while she sat nervous in the hallway. She eventually relented and ‘spent 9 hours straight getting fucked.’ She talks about how she was aroused by erotic films in her youth, her need to be desired, and sense of fulfilment when she turns a man on, and how she equates this with money. Internalised misogyny, sexism and sexual objectification are also unerotic.
Despite all this, there are some gems in the book. The author clearly knows his topic, and this shows even when he covers famous attractions, like Kit Kat Club, which “has some of its own artists whose artwork decorates the club. The most-well-known is the ‘Träumer’ with his glowing nude images. Works from Till Bernesga, Jürgen Fenegerg and Dimitrij Vojnow are also on display.” Other gems include Kuschelparty, where people experiment with touching different people in different ways, Darkside, where late night lovers of bizarre eroticism, fetishists, and bondage artists meet, and Liebesinsel or ‘love island’ one of Berlin’s 34 islands where you can enjoy peace and nature with your partner(s).