Bernhard Vierling has been a working artist in Berlin since 1986. His studio in Schöneberg is an orderly space filled with books and sketches. Big silk screen prints dominate one wall, while smaller sketches crowd the other. A few sculptures stand on surfaces.
Vierling has been sketching since he was a child – it is a medium that comes naturally to him – although he started out as a performance artist. Like this studio, his vibe is calm, thoughtful, focussed.
His first studio was in Neukölln, which in the 80s was considered a remote outpost – hardly the destination for young partygoers it is now. At the time, he was doing a lot of meditation, and the sound of the engines from Templehof airport reminded him of the hum of Tibetan monks.
The anecdote is revealing of a particular artistic tendency – imaginative, and perceptive of things beyond the obvious material sense. This quality is reflected in Vierling’s energetic tangles of sketches. For example, one of his series focussed on breath – he sketched lots of models, but his lines focussed not on their bodies but the way in which their breath moved in and out of their bodies.
Another interesting series of sketches focussed on the initial bodily reactions we have when we meet or see people. Vierling started paying attention to his initial, physical reaction to a person, which happens before the cerebral, and started representing these in his sketches of their bodies.
As a working artist, he is involved in multiple projects – as well as sketches and sculptures, he also does workshops. His current projects include his fascinating portray-society performance art and a series of sketches based on the traditional representations of sexual positions that were given to newly married couples in China (image above). Because of the scope of his work, his studio in Schoenberg is not his only working space.
He is of a generation of artists who create for the sake of inquiry and creativity rather than for commercial success unlike, he says, some artists who start conceiving based on what is in currently in vogue. For him, this leads to a healthier relationship to money and art. He does some things for money, while enjoying the freedom to create as he likes without the pressure to sell. A useful perspective for those of us who are trying to build a career in the arts.