Yesterday saw the opening of Condition Humaine, an exhibition organised by the Ingeborg-Leuthold-Stiftung, a foundation promoting the art of women – especially realistic fine art in Berlin, at the Laden gallery in Tempelhof.
Although they are distinct, their work displays a common theme; the body.
Heike Ruschmeyer, winner of the Marianne Werefkin prize 2005, paints corpses. Her huge canvases are most affecting, depicting blown-up images of the dead subject up close, taut in their rigor mortis, tinged yellow, purple and green. The images invoke eeriness and contemplation, reminding us that violence and death are part of the human condition.
In contrast, Lilli Hill’s paintings of fat women are solid, celebratory, lacquered and Rubenesque in their sensuality.
Ingeborg Leuthold’s naked bodies, bejewelled and tattooed, with mobile phones and sunglasses, are displayed in the context of modern leisure, evoking a bright, lively atmosphere.
In addition, the Laden Gallery is crammed with paintings and drawings by Berliner Johannes Grützke, whose works were celebrated in a retrospective at the Germanischen Nationalmuseum Nürnberg earlier this year and of which the Frankfurter Allgemeine Zeitung (09.29.200) said, “In a hundred years, people will hardly use our contemporary art to look for information about our life and bustle. Primary image sources are photography, film, television. The work of John Grützke is a rare exception because Grützke’s images are unique…They comment on bizarre social role- playing, attempts at emancipation and infantile regressions, single culture and obsessive group behavior, the battle of the sexes, women’s power, sexual liberation and sexual tensions, ideological contortions and collective neuroses…”
Condition Humaine by the Ingeborg-Leuthold-Stiftung is on at the Ladengalerie, Alt-Tempelhof 26, 12106 Berlin (U-Bahn 6 Alt-Tempelhof) until 26th July 2012. The gallery is open on Tuesdays, Wednesdays and Thursdays between 12.00 and 18.00 or by appointment.