You can say what you like about Russia’s largest energy company Gazprom, but they do know how to throw a party. Yesterday evening we found ourselves amidst a bunch of people, a disproportionate number of whom had face-lifts, celebrating the company’s 20 year partnership with BASF’s Wintershall in Germany.
And how did Gazprom celebrate? They hired out the entire Philharmonie, invited 2000 people along to fill it, employed the services of Berlin Rundfunk Choir (Germany’s oldest radio choir) and flew in an entire orchestra from St Petersburg (the Marinsky Theatre Orchestra no less) along with conductor Valery Gergiev, who the New York Times describes as one of “Russia’s most potent cultural symbols.” Oh and they had pre and post-concert receptions flowing with food and wine, and dress code that stated that women should wear short dresses. Ah, the Russians….
The concert was wonderful; Tchaikovsky’s Francesca da Rimini followed by the third act of Wagner’s Parsifal – music chosen to represent Russio-German co-operation.
The evening, however, displayed a different type of co-operation; that between money, politics and music – a fact reflected by the attendees, from Vladimir V. Kotenev, former Russian Ambassador to Germany and recently appointed CEO of Gazprom, former politicians Egon Bahr , creator of the “Ostpolitik“, and Otto Schily , Minister of the Interior in Schröder’s cabinet (Schröder is currently head of Gazprom’s shareholder committee, and his taking the position was widely criticised as in this Washington Post article) to singer Vicky Leandros and Janice White, young ex-wife of German music producer Jack White.